sardegna, a typographic poster

50x70 donna sardegna

This poster is a typographical divertissement on the name Sardinia, which structures the design of the woman in costume and leaves her translation in other languages ​​to the pleating of the white shirt. Nothing more and nothing less than an idea I wanted to show.

[ Questo poster è un divertissement tipografico sul nome Sardegna, che struttura il disegno della donna in costume e lascia alla plissettatura della camicia bianca la sua traduzione in altre lingue. Niente di più e niente di meno che un idea che volevo mostrare. ]

 

pavel florenskij: beyond hamlet

This is a poster for a meeting about the complex figure of Pavel Florenskij, a Russian Orthodox theologian, priest, philosopher, matehematician, physicist, electrical engineer, inventor, polymath and neomartyr. The title, “Pavel Florenskij beyond Hamlet”, is a way to discuss the central role of Florenskij on Antinomy, and its links with Shakespeare’s poem and its meaning. A philosophy which takes uncertainty, the vibration between “to be” and “not to be” as the only way to try to understand the world. A philsophical attitude very close to the position of modern physics. So, the big question mark, that Shakespeare even doesn’t use to ask the most deep question of the Occidental philosophy, takes the role and the face of Yorick’s skull.

[ Questo è il poster per un congresso sulla complessa figura di Pavel Florenskij, teologo, sacerdote, filosofo, matematico, fisico, ingegnere elettrico, inventore, studioso eclettico e neomartire russo. Il titolo, “Pavel Florenskij oltre Amleto”, è un modo per discutere il ruolo centrale di Florenskij sull’antinomia, e le sue connessioni con Shakespeare e il suo poema. Una filosofia che prende l’incertezza, la vibrazione fra l’essere e il non essere, come l’unica possibilità  di ricerca della comprensione del mondo. Un atteggiamento filosofico molto vicino alle posizioni della fisica moderna. Il grande punto interrogativo, quello che Shakespeare non utilizza per porre la domanda più importante della filosofia occidentale, si trasforma così nel teschio di Yorick. ]

per sito PROGRAMMA FLORENSKIJ

freedom manifesto / humanity on the move – poster exhibition in rome

“The Centro interdisciplinare di ricerca sul paesaggio contemporaneo has launched an appeal to artists and visual designers of international renown intent upon gathering their viewpoints on a phenomenon currently plain for all to see: the migration of men and women fleeing war, misery, overwhelming strife… The result is the great poster collective exhibition Freedom Manifesto / Humanity on the move whose objective is to raise awareness about, and urge, new perceptions concerning a topical theme of great importance: immigration…” The exhibition is now up at Centrale Montemartini, in Rome. I designed this poster, where the symbol of migration, the foot, faces its alternative meaning of freedom, and shows the pain of a mother and her children. Nobody knows if they are leaving home or waiting for someone coming back home, but it is not important. The sadness for something missing is the same.

piede migranti per sito x

teatro lirico di cagliari / gli stivaletti

And this is the last poster for the 2014 season of the Teatro Lirico in Cagliari. Gli Stivaletti is a work by Pëtr Il’ič Čajkovskij. It’s a complicated story, where the Devil and a pair of boots owned by the Empress appear among the main elements. The work takes place between Ukraine and St. Petersburg. I have imagined a pair of boots, whose shape draws the Devil’s horns, embroidered with a golden typical Ukrainian pattern.

gli-stivaletti-x

la vita, per esempio / associazione malik

This year the theme of the event “I libri aiutano a leggere il mondo” (The books help to read the world) as always perfectly organized by Laura Pisu and the Associazione Malik, was entitled “La vita, per esempio” (Life, for example). Stories of exemplary lives, and often little-known of some of the protagonists of international culture. I designed this poster in which the index of a hand shows the life line of another hand – not of the same person, as you can see.

la-vita-per-esempio-xi-ibri-2014-per-strada